Wild Rose and Pearls

blog by Niamh R Jones

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Month: Feb 2024

I’m Always Acting

Feb 29, 2024Feb 29, 2024 / phoenixfeather2017 / Leave a comment

Stepping through drapes we entered a tent within which the thrust seating and Essendine's flat were cosily contained. I have reviewed many a show at The Pilch and never has one succeeded in escaping the feel of that underground room... until now.

The Side Where it Doesn’t Necessarily go Right

Feb 21, 2024Feb 21, 2024 / phoenixfeather2017 / Leave a comment

Week Five of this term has become characterised in my mind as something of an autistic theatre week, with audiences being presented with more than just one depiction of neurodivergence. In the case of Oakeshott's Best of Five, this was the depiction of the challenges navigating the subtext of relationships.

No Longer Will I be the Fool

Feb 21, 2024Feb 21, 2024 / phoenixfeather2017 / Leave a comment

Ultimately, there are two types of student theatre, the sort that seeks to be professional and that which entertains while the cast and crew have fun, treating putting on a show as a break from the stress of Oxford. With finalists at the helm, this play was the latter.

A Week in my Life

Feb 20, 2024 / phoenixfeather2017 / 1 Comment

A friend has recently started posting videos on her story showing 'a day in the life of an Oxford student who does anything but her degree'. So, in the spirit of my friend's stories, here is a week in my life...

Your Brother isn’t Supposed to Die

Feb 6, 2024Feb 6, 2024 / phoenixfeather2017 / Leave a comment

Woven in with sibling teasing and intense moments of truth and love, both the writing and the acting struck the balance perfectly. It was a compelling piece of theatre that drew audiences into the rollercoaster of the story and left your heartbroken at the end.

This Madness Dionysus has Inspired

Feb 1, 2024Feb 1, 2024 / phoenixfeather2017 / Leave a comment

A show is ultimately a reflection of not only the director's vision but also their personality. When it comes to Freyja Harrison-Wood's depiction of the wild and undeniably unhinged Maenads it is by far the highest compliment I can give to say that this play really did reflect its director.

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