Death is a Mirror

Taking the late spot at the Burton Taylor Studio this week, Kin is a two-hander starring the talented team Wren Talbot-Ponsonby and Lily Massey. Playing two sisters Sarah and Lilly (respectively) reunited at their father’s death bed after twenty years apart, these two navigate the highs and lows of such an encounter adeptly.

The Father of the Atomic Bomb

Every element of this film was flawlessly executed, from the use of monochrome to the explosion to the subtlety of Murphy's emotional performance. The use of the motif of the 'destroyer of words' added poignancy to the narrative unfolding and reminded us of the responsibility that scientists hold in their hands.

Bombs and Barbies

It is no surprise that a film of Nolan's gained significant press when hitting cinemas; however, when two directors as high profile as Nolan and Gerwig collided at the box office the ensuing explosion should have been predicted. The craze that has become known as 'barbenheimer' is one I never seen in cinema before.

Empty Chairs at Empty Tables

The vision of the director is filtered through a hundred hands and in the case of Les Mis there are many more than we may at first consider. Victor Hugo's book went through a French iteration before it reached Cameron Mackintosh's hands and became the phenomenon that we are now familiar with.

The Champagne and the Stars

At the end of the day this is story that is close to many people’s hearts due to the frivolous glamour of Gatsby’s parties and the dream of the Jazz Age that permeates the world. Scar Theatre’s adaptation of the story was one which successfully captured the wide-eyed wonder that keeps people hooked even a century later.