his was a movie that was truly beautiful, its opening situating us through a use of credits and drawing us through the poetry of cinema. The vintage aesthetic overlaid every scene, the grainy shooting of some of the scenes as though through old cameras being a touch of brilliance.
jacob elordi
Murder on the Dancefloor
Every so often a piece of artwork is created that has people divided, intellectual minds dissecting and re-dissecting as they decide which category of thing this art belongs in. When it comes to Emerald Fennell's recently released Saltburn every critic in town seems to have an opinion.
Wild Rose and Pearls 