So, it's just been that time of year again... the time of year where I find myself wondering around in black tie, camera in hand while opera chaos descends. It's been a year of new exec, a new composer and an almost whole new cast... almost.
opera
I Don’t Believe It
If Clarendon Productions’ Amadeus is a story about raising Gods and ghosts there is no denying that they would have been appeased by such a display of energy and creativity. So much of the director’s personality shines through, which is a sign of quite how excellently his vision was realised.
A Night (or Two) at the Opera
The Marriage of Figaro was at once deeply emotional and profoundly funny, drawing its audiences into the depths of the action. Set in 1990s Hollywood, this interpretation drew attention to the stories to surface in the wake of the #MeToo movement and reminded us of the corruption that goes hand in hand with power.
My Heart has left its Dwelling Place
I am not expert when it comes to music, so all that I can truly say is that the skill and raw talent on display here was breath-taking. There is no denying the awe inspiring talent of many artists in Oxford and amongst them without any doubt are Archie Inns and Jake Sternberg.
Wild Rose and Pearls 