Stepping through drapes we entered a tent within which the thrust seating and Essendine's flat were cosily contained. I have reviewed many a show at The Pilch and never has one succeeded in escaping the feel of that underground room... until now.
reviews
The Side Where it Doesn’t Necessarily go Right
Week Five of this term has become characterised in my mind as something of an autistic theatre week, with audiences being presented with more than just one depiction of neurodivergence. In the case of Oakeshott's Best of Five, this was the depiction of the challenges navigating the subtext of relationships.
No Longer Will I be the Fool
Ultimately, there are two types of student theatre, the sort that seeks to be professional and that which entertains while the cast and crew have fun, treating putting on a show as a break from the stress of Oxford. With finalists at the helm, this play was the latter.
A Week in my Life
A friend has recently started posting videos on her story showing 'a day in the life of an Oxford student who does anything but her degree'. So, in the spirit of my friend's stories, here is a week in my life...
Your Brother isn’t Supposed to Die
Woven in with sibling teasing and intense moments of truth and love, both the writing and the acting struck the balance perfectly. It was a compelling piece of theatre that drew audiences into the rollercoaster of the story and left your heartbroken at the end.
This Madness Dionysus has Inspired
A show is ultimately a reflection of not only the director's vision but also their personality. When it comes to Freyja Harrison-Wood's depiction of the wild and undeniably unhinged Maenads it is by far the highest compliment I can give to say that this play really did reflect its director.
Going Dark
On Bold Choices within Theatre Directing and Staging
I Will Always Love You
his was a movie that was truly beautiful, its opening situating us through a use of credits and drawing us through the poetry of cinema. The vintage aesthetic overlaid every scene, the grainy shooting of some of the scenes as though through old cameras being a touch of brilliance.
Man is Liable to Error
With every production there is an element that stands out, a motif that characterises the play in your mind. For Faust this was undeniably the use of lighting.
A Snapshot of the North
Turn in a slow circle, taking in the history that surrounds you, a timeline captured on stone beneath the watchful eyes of the owls. Between snaking wild flowers, attracting the love of insects, lies the story of the north. Meticulous in its panelling, we see the Romans, Bede and Armstrong
Wild Rose and Pearls 